| Editorial: | MIT Press, |
| Ciudad: | Cambridge, Mass. |
| Año: | 1986. |
| Edición: | 1st ed. |
| Medidas: | 18.5x23.5. |
| Paginación: | 137pp. |
Wrappers.
In Praise of Horizontality, by Annette Michelson and André Leroi-Gourhan; The Religion of the Caves: Magic or Metaphysics? By Annette Michelson and Andre Leroi-Gourhan; The Hands of Gargas: Toward a General Study, by Andre Leroi-Gourhan and Annette Michelson; Originality as Repetition, by Rosalind Krauss; The Primary Colors for the Second Time: A Paradigm Repetition of the Neo-Avant-Garde, by Benjamin H. D. Buchloh; Ready-Made Originals: The Duchamp Model, by Molly Nesbit; Monet's Series: Repetition, Obsession, by Steven Z. Levine; Courbet's 'L'origine du monde': The Origin without an Original, by Linda Nochlin; Antiquity Now: Reading Winckelmann on Imitation, by Michael Fried; In Praise of Appearance, The Art of Describing: Dutch Art in the Seventeenth Century by Svetlana Alpers, Review by Louis Marin and Richard Miller; Manet's Imagery Reconstructed, The Painting of Modern Life: Paris in the Art of Manet and His Followers by T. J. Clark, Review by Klaus Herding and John William Gabriel; Painting as Model by Yves-Alain Bois.